Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Unpacking Blur

Hey guys. Remember the '90s?

  • Simpsons characters still had souls!

  • Biggie and Tupac weren't pretending to be dead!

  • Sonic the Hedgehog was so awesome he starred in two cartoon shows simultaneously!

...and, for a brief moment, somewhere between the New Kids On The Block era of boy bands, and the Backstreet Boys era of boy bands, mainstream pop music wasn't abysmal.

There was Nirvana! There was Pavement! There was Billie Joe Armstrong of Green Day totally not looking like a weird mash up of Gary Numan and Liza Minnelli!

And there was Blur! If we're being generous!

What am I saying? Blur was great. Maybe not as great as Nirvana, but certainly better than that other British band. You know...those guys.

Blur was the band that brought us "Song 2" (woohoo), and a music video starring a carton of milk (see below).



Blur also brought us "Girls & Boys", a song which contains the fitting lyric: "Love in the 90s is paranoid". There is also, in the same song, a lyric for our own decade: "Avoiding all work, because there's none available." Truly timeless.

However, for this post, I shall concentrate on the chorus of "Girls & Boys". It goes as follows:


Girls who are boys
Who like boys to be girls
Who do boys like they're girls
Who do girls like they're boys
Always should be someone you really love

Come again?

At first glance, the only intelligible part is that last line. That's clearly sarcasm. The lead singer of Blur is sneering at you for being such a pervert. The bastard.

Lucky for you, I couldn't sleep last night, so I worked out the rest.

Girls who are boys
Hm...that's pretty easy. That's a boi (thanks, urbandictionary!). As in "Brooklyn Boihood". As in "what I could be comfortably defined as if I weren't so standoffish and socially awkward".

Let us continue.
Who like boys to be girls
Huh. Well, that's a feminine male-type person, possibly in drag.

Who do boys like they're girls
Pegging!

Who do girls like they're boys
That one's a little harder. Maybe it's like giving a blowjob to a strap-on? Not that I have ever contemplated such a thing, or sought out books and online fiction on the subject.

Let's pause at this moment for a sing-along.



That was fun, wasn't it? So...anyway...now that we have worked out who is involved, and what is going on, let us examine who is doing what to whom.


Girls who are boys
Who like boys to be girls
Who do boys like they're girls
Who do girls like they're boys
Always should be someone you really love


There is definitely a lot of pronoun confusion going on here, and not of the usual kind!

One way of looking at it is, that the aforementioned boi, who is into feminine males, likes to engage in pegging, while the feminine male partner (we'll call him "the femme" from now on) enjoys giving blowjobs to strap-ons.

HOWEVER...because of the pronoun confusion, it may also be the case that it is the femme who likes to "do boys like they're girls" (which would be the usual gay anal sex), and it is the femme's gay male partner who likes to suck off dildos.

ON THE OTHER HAND...there is the distinct possibility that it is the boi who is the subject of the last two lines; that it is the boi who likes to BOTH "do boys like they're girls" and "girls like they're boys". In other words, a switch hitter.

FINALLY...perhaps it is the case that it is the femme partner who is switch hitting, engaging with boys like they're girls, and with girls like they're boys, variously.

All of which makes it quite clear why, in the twenty years since this song was released, there has been a proliferation of queer terminology. Some people say that "labels are for cans of soup", but they also make it a lot easier to figure out what the hell is going on during a Grecian orgy.

"Deflowered": A Bunch of Punk-Ass Pansies!

Deflowered: My Life in Pansy Division is an autobiography by Jon Ginoli, the lead singer of punk band, Pansy Division.

Who are Pansy Division?





And personal favorite:



These guys are a totally gay punk rock band. They are a tight operation, they rock out, they're funny...they even toured with Green Day right when Dookie was making it big!

So why haven't you heard more about them? Because America is run by assholes who hate you. How else to explain Top 40?

Deflowered briefly discusses Jon's childhood and adolescence, which was very normal and boring: no heroin abuse, no being locked in the attic until the age of 13, or any of that usual memoir crap. Jon was raised in the Midwest, and the wildest thing he did as a teen was dress like Patti Smith. I can totally get behind that, and have been tempted to do so myself.

The story continues in the gay bars of the 1980s, which played the same shitty dance music they do today. In fact, while reading Jon's complaints about the San Francisco scene, I was very much reminded of walking into The Stonewall Inn on New Year's, and leaving 15 minutes later, because I can not stand that disco bull shit. Seriously. Jon and his friends in Tribe 8 worked very, very hard to give queers RAWK; why can't we give them some props at the bars instead of waiting for Riot Grrl theme night (if we even get that)?

Because Jon, 20 years ago, was frustrated by the lack of queer punk rock, he did the punk rock thing, and formed a band himself. He notes that there were queer punk zines before the music had arrived yet, which I found quite interesting. There were also some dyke bands forming, such as Tribe 8. The riot grrl scene eventually brought a lot more of them, but by the late 1990s the status quo had its revenge and we were subjected to Gay Pride favorites, The Spice Girls. Girl Power!



Most of the book consists of tour diaries. They got picked to tour with Green Day in 1994 because the drummer of that band, Tre Cool, wanted to rile up the frat boys that began to come to their shows as they got MTV airplay. The boys in GD genuinely liked the band, though, and they toured with them twice. Pansy Division even got some MTV airplay themselves in the form of an interview on 120 Minutes.

Some audiences, like the ones at Squeezebox in New York, or the venues (squats) in Italy, were very positive. Others, like some of the Green Day audiences as the band got huge, were absolute assholes. The band gossip Jon relates, concerning certain of the pop-punk scene, I really relished, since I grew up in the late 90s and had to go to class with the same alternateens that worshipped those pricks.

The tour diaries are fascinating at first, but they can get repetitive. I wish Jon had talked more about the transformation of the punk scene, though hearing about Tre Cool smearing mustard on electrical outlets was kind of great. They toured so much maybe it was hard for him to make a clear observation of what was going on. He was also in his 30s at the time and not really part of the punk "lifestyle" even as a teen, so he was kind of on the fringes despite being in a band.

However, the problem with the diary entries is that they don't have a lot of meat on them, so it all kind of blurs together and I wound up skipping parts. Discussions of band promotions, like making a video parody of Bill & Ted are a lot more fun to read, but fewer and far between.

Deflowered gets 2 and a half stars.

1 star for "attempting to make music at Pride less horrible"
1 star for "Beavis humping Butthead, Bill humping Ted, et al"
And 1 half star for "mocking Blink 182 and Bon Jovi" (it's only half because it's too easy)