Hollywood Crazy

Out of the five movies I've reviewed so far, 3 have featured crazy ladies in starring roles (of course, in "Sucker Punch", the film is in fact playing with the tropes that I mock here by making the "crazy" retreat into fantasy justifiable, sympathetic, tragic, and even heroic).

As for the other 2...one was about drag queens and the other was an extended Freudian metaphor for the devouring mother...so while ladies were prominently featured, it's not really the same thing. You don't have to be crazy to wear drag OR to be a gigantic cave system.

Right? Right!

Now, while "A Streetcar Named Desire" is in another galaxy entirely from "Sucker Punch", and "Black Swan" is within the "Streetcar" planetary system though perhaps many orbits away, they do show certain commonalities in their treatment of insane women.



1. Crazy ladies are hypersexual
Whether they're makin' moves on the paperboy, having elaborate lesbian fantasies, or having elaborate lesbian fantasies with guns and robots and steampunk Nazis...crazy ladies in movies certainly like to get it on. Clearly the corollary is that normal, sane women do not hit on the paperboy. But I have relatives in the suburbs, and, well, sometimes the paperboy is super hot. You'd be insane NOT to hit on him. There is also the insulting corollary that normal, sane women do not have elaborate lesbian fantasies. Sometimes I have my doubts about myself, but I'm pretty sure that this is not the case.

2. Crazy ladies are violent
Crazy ladies in movies hit people, but more often they just stab them. Sometimes they like stabbing folks so much, they get confused and stab themselves. And then they get blood all over their tutus.

This neatly ignores the fact that most people with mental illness are very passive. Depression is one of the most common mental illnesses, and is characterized by social withdrawal. If you are depressed, sometimes you can't even get out of bed in the morning, never mind killing people.

Schizophrenia, which is portrayed by Hollywood as very exciting and entertaining, is also characterized by social withdrawal. In fact, "withdrawal" is one of the main symptoms of schizophrenia listed in the DSM-IV, the diagnostic manual used by American psychologists.

Then there are the anxiety disorders: Generalized Anxiety Disorder, Panic Disorder, Social Anxiety Disorder, and the phobias. A person with such a disorder is much more likely to weep in fear than stab the anxiety-provoking stimuli. PTSD, which is portrayed as very exciting indeed, is also an anxiety disorder. While folks with PTSD might be very angry, the diagnostic criteria include a whole list of avoidance behaviour.

Finally, Bipolar. Bipolar people often enough show all the signs of depression, with the same social withdrawal. In a manic phase, a person with bipolar might engage in risky behaviour, but that risky behaviour generally IS NOT axe murder. Maybe they just write a lot...WITHOUT necessarily murdering their families. I'm not going to say people with mental disorders are never violent, but certainly most of the violence in our society comes without a diagnosis.

3. Crazy ladies are incurable
Once a lady goes crazy in a movie, there's no turning back. She's going to spend the rest of her miserable life in a mental institution, and will most likely die in a tragic manner. In real life, most mentally ill people go to a general practitioner and get a prescription for Xanax or an SSRI. They might go to talk therapy, or a support group, too. These options simply aren't available in the movies. If there are any shrinks around, they are invariably clueless and/or evil.

In real life, you can't be admitted to a mental hospital unless you are regarded as a threat to yourself or others, and most people are let out within a matter of days or weeks. In the movies, you don't get admitted until you've already killed someone.

And of course, you never, ever get out in the movies, unless of course you're a Batman villain and the security at your hospital is highly flawed for keeping supervillains. In real life, the "lifers" might be stuck there because they have no family to take them in afterward, or because they have other cognitive problems that would make it impossible for them to survive on the outside: an old woman with severe depression AND dementia, for example. These folks can barely function. They're not supervillains. That's right -- I'm telling you supervillains ARE NOT REAL.


As you can see, "Hollywood crazy" and actual mental disorders are two very different things. "Hollywood crazy" is characterized by a "twisted childhood" or maybe a single, highly disturbing event, that turns a person into an uninhibited monster. "Hollywood crazy"'s symptoms include serial killing, interest in "minority" sexualities, a great sense of humor, and flamboyance. "Hollywood crazy" makes for much more interesting side characters/villains than the bland lead characters you were meant to relate to. But "Hollywood crazy" mostly makes for villains...because disabled people are scary.

On another note...I could probably rewrite this entire post using links exclusively pertaining to the Batman franchise.



Batman is such a dick to patients.

Game Company gives the "Straight Male Gamer" what-for

Bioware recently responded to a rather screwed up forum post regarding Dragon Age II allowing same-sex and (arguably) polyamorous romances between characters.

Apparently...that's a bad thing.

But really, they let you romance elves, so it only seems fair!



The second fucked up thing about this is, the guy who made the post positioned himself as the Straight Male Gamer, which was just asking for trouble. Because all straight male gamers are homophobes? Because all straight male gamers are bigots? Sometimes it can seem that way, but then again my games of Risk on Facebook can get a little heated...

Here's a gem from the response -- David Gaider, a Dragon Age senior writer:

"And if there is any doubt why such an opinion might be met with hostility, it has to do with privilege. You can write it off as “political correctness” if you wish, but the truth is that privilege always lies with the majority. They’re so used to being catered to that they see the lack of catering as an imbalance. They don’t see anything wrong with having things set up to suit them, what’s everyone’s fuss all about? That’s the way it should be, any everyone else should be used to not getting what they want."

You can read more here: Straight Male Gamer told to 'get over it'

It almost goes without saying that online gaming culture can be extremely homophobic, but that's another post.

"Sucker Punch": Muppet Babies Hit Puberty!

March 29th: Updated with some observations on the levels of reality in this movie

You may have already heard the premise behind "Sucker Punch": a really smokin' hot femme is locked away in a 1950s mental institute, and she has n days until her lobotomy. Soooo...like anyone else would do in her situation...she has elaborate fantasies involving robots and dragons and machine guns that somehow enable her escape.

This seems almost stupidly straightforward. "Stupidly", because, quite honestly, what the hell do robots have to do with mid-20th century psychiatric medicine?

Well, ok, but that's just barely pertinent.

"Sucker Punch", is, in fact, not that straightforward or even that stupid. I mean, it's kind of stupid...it is often a showcase for explosions and cleavage. But everyone going to see this film wants explosions and cleavage. And it manages to present these showcases for cleavage explosions/explosive cleavage in a way that isn't completely stupid or...Lord help me...antifeminist.

Yes, I am about to tell you that the movie about hot femmes shooting guns in skimpy outfits isn't sexist.

As hard as it may be to believe, judging from the film posters, the overall message of this film is not sexist. It can be summed up as, "Girls are awesome". Girls in this film sacrifice themselves for their sisters, their "sisters" (as in fellow exotic dancers), and for their vaguely lesbian best friends. Girls kick ass and look great while doing so. Girls stab oily rapists in scenes that gave me bad flashbacks to "Black Swan". And they pilot steam-powered mechs in scenes that gave me good flashbacks to "Tank Girl".

Yes, I am about to tell you that "Tank Girl" is a better movie than "Black Swan". Suck it!

The way the movie gets around the inherent stupidity of steam-powered clockwork Nazi zombies is by presenting these scenes as fantasy vignettes triggered by disassociation. It's kind of like "Muppet Babies", except it's as if Kermit and the rest of them are all attractive young women and are trying to escape from a brothel.



The movie treats the dissociative moments in a sympathetic manner, (no matter who is having them). The bad guys might characterize the protagonist, Baby Doll as violently insane, but to the audience she is presented as a brave, self-sacrificing hero, fighting against authoritarian villains and indeed, the patriarchy. Her trips into la-la land grant her the power to do great things. Thus the movie avoids the trap of certain other movies reviewed here, where potentially sympathetic women who are traumatized by violence and sexual assault wind up turning into unsympathetic monsters. Sometimes literally. Ahem.

I guess you can argue that Hollywood crazy somewhat resembles PTSD, which CAN make people very angry as a result of a specific event...but Hollywood crazy really is a special disorder, all its own. Most "crazy" people are not violent, and often are singled out for violence because of their odd behavior. Meanwhile, in real life, often the bad guys are perfectly sane and the ones in charge.

Enough of my harangue. Well, maybe a little more...in "Sucker Punch", the bad guys are indeed the ones in charge. They are rapists and corrupt doctors. And the good guys wind up losing a lot. The ending is not feel-good, because of all of the suffering that leads up to it, although I would call it life-affirming.

And the plot? Well, there's a plot. It can be a little cheap at times.

I really liked the overall message of women working as a team to help one another. It warmed my frosty heart.



Or maybe I've just been taken in by how pretty the damn movie is, and all the explosions and swords.

I don't think so, though. I think, indeed, that anybody who calls this a bad movie, or boring, or unimaginative, probably doesn't have a soul.

I give "Sucker Punch" 4 stars, and if you don't like that, you can go watch Natalie Portman yank her cuticles off.

3 stars for "Is that a biplane? No, it's a triplane! No, seriously, 3 wings!"
And 1 star for "Not being completely stupid", which is all I really asked for anyway.

****
Update: On another level, perhaps nothing in the film actually happens except for the very beginning and the lobotomy scene toward the end. All the rest is disassociation in reaction to extreme abuse. Or maybe it's the other way around, and the brothel is real, the disassociation still occurs, though for other reasons, and the protagonist isn't who you think at all. The movie mostly follows the character named "Baby Doll", who is champion of these fantasy vignettes. She is the one who appears to be spacing out during the fantasy sequences. But does she exist at all?

"Where Is My Mind" is featured prominently throughout the film. The same song ended "Fight Club", in a very plot-appropriate way. Certainly the song is thematically related to "Sucker Punch", but maybe it's also a hint? The film is open to multiple interpretations.

The very same twists that seem to come out of nowhere on first viewing really do enrich the film. Underneath the action is a tragic and serious story! No really. Shocker number 3. Yet I do not think that ruins the enjoyment of the action sequences.

Updates!

First: More info on the black sci-fi event coming up!

The event will be hosted by M. Asli Dukan, director of a documentary called Invisible Universe, about the way blacks are portrayed in speculative fiction. "Speculative fiction" is a term that covers not just science fiction, but also horror, fantasy, and the latest Philip K. Dick adaptation whose marketing pretends that it isn't sci-fi at all but just an action thriller.



Also!

Friday, March 18th is quite a busy day. Not only is the black lesbian sci-fi event Friday, but later on, at everybody's favorite feminist bookstore, there's Trans Bodies, Trans Selves. Trans Bodies, Trans Selves is a resource guide for transgender folks, and they're currently doing a book tour. The event will run from 7 to 9pm Friday, March 18th, with discussion and a Q&A.

The place that will be hosting Transbodies, Bluestockings Bookstore, is located in Manhattan, near the corner of Allen & Stanton Streets. That's one block down from Houston Street, and one block east of 2nd Avenue. Yes, "one block east of 2nd" should be 1st Avenue, but it's the Village: 4th Street zig-zags all over the damn place, so what were you expecting? If you happen upon a grocery store with awesome cartoon characters all over it, you're heading the right way -- the bookstore will be the next building over. That's how I figure it out, and I could get lost in a paper bag.

Black. Lesbian. Sci-fi.

Now there's a combination I'd like to see more of.

I can't even think of any films that fit that criteria off-hand. Am I just completely clueless and ignorant...or is the presumed market for sci-fi still little white boys who want to see triple-nippled space boobies?



That's from Total Recall, if you were wondering.

The LGBT Center in Manhattan will be having an event on black lesbian sci-fi this Friday, March 18th, at 6:30pm. Unfortunately, since the event is from an outside group and not organized by the Center itself, there's no info posted on the Center website (www.gaycenter.org). However, it will undoubtedly be amazing. The Center is located at the corner of 7th Avenue and 13th Street, in Manhattan.

On a semi-related note, check out Brooklyn Boihood. They're all about increasing visibility for masculine-identified lesbians of color...and their calendar is pretty rad. I have a copy in my bedroom, so I can remember to forget all sorts of upcoming events. Autostraddle recently wrote up an article on how great Brooklyn Boihood is: Where the Bois Are.

In the meantime, I'll be seeing if the Performing Arts Library has Total Recall available for borrowing.

More Queer Nerds at the Center

Hey guys!

Coming up next Tuesday (ahem), the guys over at FAQNP are having another event at the Manhattan LGBT Center. They're the same folks who brought you "Yaoi for Beginners" (like you needed help with that). This time they're trawling the Center archives for queer nerd "print material"...which probably means filthy, filthy fan zines, Tijuana bibles and slash fiction.

Speaking of queer comics...I bet you didn't know this about Popeye...



So here ya go -- Queer Nerd Print Culture, March 8 @ 6 PM!